(… Okay so maybe not leave too much to your imagination! You being such good people…)
*
Time for a little onboard music, what do you say?
Let’s begin the Sailor Twain playlists. As we update them, they’ll be kept in the EXTRAS section. Please join in with suggestions.
Proposed categories for the first playlists:
1. Rivers, Ships, and Sailors
2. Twain Themes
3. A Little Operatic Grandeur
4. Other Onboard Pleasures
Let’s start with a tune for each of the first three:
For playlist number 1, Rivers, Ships, and Sailors:
From the soundtrack of the movie “Amélie,” by Yann Thiersen, this is called “A quai.” There’s a side to the river which is not peaceful and majestic, but rather restless, relentless, and this puts me in mind of it. Plus the rest of this soundtrack has some distinctly French essence, which belongs in Sailor Twain’s ingredients list.
*
For playlist number 2, Twain Themes:
Next, La Soñadora, by Enya, on her album The Memory of Trees. I recommend listening to this with full stereo on good headphones, late at night, after a couple glasses of Hudson Valley wine, perhaps while writing something, should you wish to be transported.
*
For playlist number 3, “A Little Operatic Grandeur” playlist:
This is from a group from the Azores, called Madredeus: O Pastor, from their eponymus album.
A few flavors… More to come.










Anvil work song- Verdi.
Classy, Lafayette, very classy.
I have TONS of songs I could suggest, but out of sheer laziness at the moment and limited internet time, let me just suggest Sigur Ros for some essence of Rivers and maybe a little Operatic Grandeur, Sufjan Stevens album “The BQE” for some all-around flavors, maybe a little of Explosions In The Sky for higher intensity parts, and some of the amazing songs from the “Life Aquatic With Steve Zissou” Soundtrack
Shoot me an email and I’ll send you specific youtube links for anything you want, or all of them too if you prefer.
This is just a taste of the Sufjan Stevens album, “The BQE”, which I HIGHLY recommend to everyone, but especially you Mark:
http://www.youtube.com/watch?v=z6sRXCLVyoc&feature=related
The Sailor Song from The Gadsdens came to my mind first. For some reason either the song or the video reminds me of your comic. Or maybe it’s just the title
Anyway here’s the link:
http://www.youtube.com/watch?v=OUcdobQxrRU
I suppose we ought to have “Erie Canal” on here for some authentic aquatic New York flavor.
First to mind and covering a few mentioned areas…
Song to the Siren – Cocteau Twins (Tim Buckley cover)
http://www.youtube.com/watch?v=4mUmdR69nbM
Ok, I didn’t include this above because I thought it might be a bit offset but, really, I can’t resist for the dreamy, watery grandeur, albeit beyond the river:
Debussy – La Mer (Abbado conducting)
http://www.youtube.com/watch?v=pyoM2UqdYOE&feature
Oops, it was actually “The Anvil Chorus”- Verdi.
More loose associations from me.. rivers, seas, sirens, ship captains, human drama…
The Sea Whisperer – Lisa Gerrard (someone put their Greek photos to the music in the following video, but the music is The Sea Whisperer… makes me think of sirens and mermaids)
http://www.youtube.com/watch?v=pHCw5ZvqfA4&feature
Annan Water – The Decemberists (river music with lots of human drama)
http://www.youtube.com/watch?v=thaMWccDbu0&feature
There is much other (beside La Mer) classical music with sea and water themes, not so close to the Hudson. Rimsky-Korsakov was a former ship’s captain who included dramatic nautical themes in his “Sheherazade,” for example. Vaughn Williams wrote his “Sea Symphony” and, of course, there is Handel’s “Water Music.” All music that might merit inclusion for ‘off hours’ onboard pleasure.
And how about Andy Williams’ famous recording of “Moon River,” as a cocktail entrant, since we seem not to be date/genre restricted?! P.S. There’s a mermaid in this video.
http://www.youtube.com/watch?v=l1CyuOs7iMI&feature
Hi-
I’ve been reading since the beginning, but it’s my first time commenting- I love the comic, and I can’t wait to see what will happen next!
For Sailor Twain music, my first thought was Vaughan-Williams. Here are two songs, the first of which is particularly appropriate:
http://www.youtube.com/watch?v=cg_v_FjsAII
http://www.youtube.com/watch?v=OcxutBVGODQ
That first frame was blush-worthy, I must admit, I am glad that Horatio interrupted. I felt a bit like Twain, pulled into what was before me. Horatio’s “Hello Captain!” made me blush a second time at the thought of being caught. When I realized that Horatio was oblivious to the steamy encounter just around the corner I was quite relieved!
For music related to Sailors and Ships I might recommend The Decemberists. They’re a little modern/indie in their sound, but their beautiful instrumental choices give their songs the sound of an old folk-tale or sea shanty. Their lyrics are also quite lovely.
Specific Decemberists tunes to consider:
Summersong – “My girl, linen and curls, lips parting like a flag all unfurled” reminds me much of the women aboard the Lorelei.
From My Own True Love (Lost at Sea) – Haunting and beautiful, it will plant itself in your head and heart.
The Mariner’s Revenge – A dark little shanty tale.
And let us not forget Fiddler’s Green by The Tragically Hip.
Beautiful work as usual Mark.
Looking forward to the next post.
I may not have any prowess at building playlists, I’m certainly enjoying them! They make re-reading the posts really fun, keep them coming!
I went back to Chapter 2, the last time we saw Horatio. I had never really pieced together the fact that Horatio was, at least partially, deaf. I knew something was wrong, but I was very confused by the entire scene. Horatio seems rather conversive actually- he must be either amazingly adept at reading lips or must have at least some hearing left, (see 030, 035). Though that leads me to wonder just how loud Lafayette is in comparison to the steam engine as a whole. Twain has no issue hearing them from the ladder distinctly even before venturing closer, but here Horatio is deaf to it even right up close.
I guess what I’m really trying to get at is this: exactly how deaf is Horatio, and what is his chief method of conversation? For Twain’s statement of being “deaf as a stone” doesn’t seem to meld very well with the last we saw of Horatio (He partially relied on his co-worker, Aloysius, to speak loudly, but for the most part either read or heard Twain clearly- though by the illustrations, Twain doesn’t seem to be the most physically expressive to aid in lip-reading).
I don’t want to be a pain by bringing something up relatively trivial, but it was just something that had bothered me.
Also, Mr. Pike is really quite creepy. His portrayal in that steam scene really gets me, especially the last panel in 030 (that whole panel is chilling actually).
*gasp* Was listening to The Memory of Trees earlier <3
Thanks, Hannah!
And thanks, Carol!
I’ll update the playlists soon..
Hi there Ross,
Thanks for all this—and that something bothers you here may be right… And I’ll say no more.
Aha! Intentional author plot irregularity!… And I’ll say no more.
Sorry I’m late – what about The Mermaid Song? Great Big Sea naturally sing about oceans and such rather a lot…
This is a little late, but there’s the really catchy song “Loreley” by Blackmore’s Night…