The French version of Sailor Twain launches later today!  Feel free to go welcome aboard some of our gallic twainers!

Also: Claire came by the Flatiron building! It continues to be such a thrill meeting you Twainers in real life, and the conversation is no less a pleasure in the 21st century. Thank you!

Since I had an entry about the great Conté pencils, I must include the other great favorite tool used in every page and every panel of Sailor Twain: my favorite charcoals of all—General’s Charcoal.

In the mid 19th Century, one Oscar Weissenborn, immigrated from Baden-Baden, and founded what would become the GENERAL’S PENCIL COMPANY. It’s still run as a family business with a passion for  art and for the craft of making artists’ tools.

Who knew how much went into that pencil on your desk? See this piece on how they are made, and look here for some fine history of the General Pencil Company.

 

The messiest and hardest to control is straight powdered charcoal. But worked with a smudger or a chamois cloth, it’s almost like sculpting shades of grey…

… but best of all—General’s Jumbo Charcoal has gone into just about every part of Sailor Twain. For some reason, more than any other charcoal I’ve tried, this one has a softness about it that is a pleasure to work with. It spreads and darkens deeply or can be smudged lightly, plus it stays in place after spray fixing.

Okay, enough art supply geekfest now?

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